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Beom Kim: How to become a rock

Beom Kim: How to become a rock

Jul 27 - Dec 3, 2023

60-16, Itaewon-ro 55-gil, Yongsan-gu, Seoul, 04348, Rep. of KOREA

Adult: 12,000 won
Student: 6,000 won

Tue-Sun : 10am - 6pm (Reservation Only)
Closed on January 1, Lunar New Year's Day, Chu-seok

Leeum Museum of Art presents How to become a rock, a solo exhibition of one of Korea's leading contemporary artists, Kim Beom. Comprising works from the early 1990s to the mid-2010s, the large-scale survey exhibition brings together more than 70 works, including his early paintings and pieces from overseas collections that have never been shown in Korea.

Kim's works are based on animistic thinking, a belief in the existence of life and soul in all extant matter, and acts that perceive the gap between what is seen and what lies within, combined with hypothetically set up situations that shatter stereotypes. In his work, an antelope chases a cheetah, a dog bursts through a wall, a ship learns that there is no ocean, and a car key is transformed into mountainous landscapes. Combining his uniquely unpretentious forms with extraordinary ideas, Kim’s works are not only refreshing to the eye, but also overturn basic premises of the world, making us aware of areas of truth hidden by social conventions. Pursuing an aesthetic that may appear excessively calm and even ascetic, Kim rules that "what you see is not all of what you see," a self-reflective statement in its own right. As such, he urges us to question what we know, see, and believe, pushing aside all habitual thinking and awakening in us a way of “seeing” that is entirely new and different.

The exhibition title, How to become a rock, is an excerpt from Kim's artist book, The Art of Transforming (1997). More than a direct reference to the content of the book, the exhibition seeks ways to exist in a world dominated by power and control and leads us to reflect on the identities, and the variable relationships therein, formed by uniform rote learning. His sensitive and incisive critical thinking vigorously explores what humans project and their inherent contradictions, as well as the gap between image and substance. While his seemingly clumsy craftsmanship redefines the relationship between materiality and immateriality in art, his deliberate lo-fi sensibility emerges as a quiet resistance to all standardized thinking, impervious to the speed and trends of today.

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